A Personal Reminiscence on the Roots of Computer Network Music

dc.contributor.authorGresham-Lancaster, Scoten_US
dc.contributor.utdAuthorGresham-Lancaster, Scoten_US
dc.date.accessioned2018-10-22T19:59:24Z
dc.date.available2018-10-22T19:59:24Z
dc.date.created2017-12-01en_US
dc.date.issued2018-10-22
dc.description.abstractThis historical reminiscence details the evolution of a type of electronic music called computer network music. Early computer network music had a heterogeneous quality, with independent composers forming a collective; over time, it has transitioned into the more autonomous form of university-centered laptop orchestra. This transition points to a fundamental shift in the cultural contexts in which this artistic practice was and is embedded: The early work derived from the post-hippie, neo-punk anarchism of cooperatives whose members dreamed that machines would enable a kind of utopia. The latter is a direct outgrowth of the potential inherent in what networks actually are and of a sense of social cohesion based on uniformity and standardization. The discovery that this style of computer music-making can be effectively used as a curricular tool has also deeply affected the evolution and approaches of many in the field.en_US
dc.description.departmentArts, Technology and Emerging Communicationen_US
dc.identifier.bibliographicCitationGresham-Lancaster, Scot. 2017. "A personal reminiscence on the roots of computer network music." Leonardo Music Journal 27, 71-77. doi:10.1162/LMJ_a_01022en_US
dc.identifier.issn0961-1215en_US
dc.identifier.urihttp://dx.doi.org/10.1162/LMJ_a_01022en_US
dc.identifier.urihttp://hdl.handle.net/10735.1/6228
dc.identifier.volume27en_US
dc.language.isoenen_US
dc.publisherMIT Pressen_US
dc.rights©2017 ISASTen_US
dc.source.journalLeonardo Music Journalen_US
dc.subjectMusicen_US
dc.subjectComputer composition (Music)en_US
dc.titleA Personal Reminiscence on the Roots of Computer Network Musicen_US
dc.type.genrearticleen_US

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